FIRST MERTTENS LECTURE ON WAR AND PEACE JUSTICE AMONG NATIONS BY HORACE G. ALEXANDER, M. A. LECTURER ON INTERNATIONAL LAW AND POLITICS AT WOODBROOKE, SBLLY OAK, ...

Ethical mysticism, by S. Coit.--The ethical import of history, by D. S. Muzzey.--The tragic and heroic in life, by W. M. Salter.--Distinctive features of the ethical movement, by A. W. Martin.--Ethical experience as the basis of religious education, by H. Neumann.--"All men are created equal," by G. E. O'Dell.--How far is art an aid to religion? by P. Chubb.--Evolution and the uniqueness of man, by H. J. Bridges.--The spiritual outlook on life, by H. J. Golding.--The ethics of Abu'l Ala al (...) Ma'arri, by N. Schmidt.--Life's unused moral force, by H. Snell.--Is the ideal real? by G. A. Smith.--Some ethical tendencies in the professions, by R. D. Kohn.--On the art of living, by W. Boerner.--The relation of the ethical ideal to social reform, by J. L. Elliott.--Concerning tolerance, by R. F. Dewey.--Ethical culture in Germany after the war, by R. Penzig.--A confession of faith, by S. B. Weston.--"Hearing the witnesses," by J. Gutmann. (shrink)

G. Breit's original paper of 1929 postulates the Breit equation as a correction to an earlier defective equation due to Eddington and Gaunt, containing a form of interaction suggested by Heisenberg and Pauli. We observe that manifestly covariant electromagnetic Two-Body Dirac equations previously obtained by us in the framework of Relativistic Constraint Mechanics reproduce the spectral results of the Breit equation but through an interaction structure that contains that of Eddington and Gaunt. By repeating for our equation the analysis that (...) Breit used to demonstrate the superiority of his equation to that of Eddington and Gaunt, we show that the historically unfamiliar interaction structures of Two-Body Dirac equations (in Breit-like form) are just what is needed to correct the covariant Eddington Gaunt equation without resorting to Breit's version of retardation. (shrink)

Nanomedicine is yielding new and improved treatments and diagnostics for a range of diseases and disorders. Nanomedicine applications incorporate materials and components with nanoscale dimensions where novel physiochemical properties emerge as a result of size-dependent phenomena and high surface-to-mass ratio. Nanotherapeutics and in vivo nanodiagnostics are a subset of nanomedicine products that enter the human body. These include drugs, biological products, implantable medical devices, and combination products that are designed to function in the body in ways unachievable at larger scales. (...) Nanotherapeutics andin vivonanodiagnostics incorporate materials that are engineered at the nanoscale to express novel properties that are medicinally useful. These nanomedicine applications can also contain nanomaterials that are biologically active, producing interactions that depend on biological triggers. Examples include nanoscale formulations of insoluble drugs to improve bioavailability and pharmacokinetics, drugs encapsulated in hollow nanoparticles with the ability to target and cross cellular and tissue membranes and to release their payload at a specific time or location, imaging agents that demonstrate novel optical properties to aid in locating micrometastases, and antimicrobial and drug-eluting components or coatings of implantable medical devices such as stents. (shrink)

…vel quod res omnes timide gelideque ministrat, dilator, † spe longus, iners avidusque futuri, diffcilis, querulus… I agree with Brink, and other editors referred to by him ad loe, that spe longus in Horace's description of the typical old man's character cannot be made to give sense. For earlier attempts at emendation, see Brink's note . Most of those who have tried to emend the passage concentrate on longus, and are reluctant to relinquish spe: this is largely due to (...) the parallel with Aristotle's account of the character of old men in Rhetoric 2. 13. 1389b 13ff., in which they are said to be, among other things it seems to me that this parallel should not be pressed too far. There is much in Aristotle that is not in Horace, and nothing to suggest close and detailed dependence. The parallel can only be relevant if spe longus can be turned into a reasonable Latin equivalent for Otherwise there is no good reason to suppose that spe is any less likely to be corrupt than longus. (shrink)

The most characteristic feature of all satirical writing appears to be its elusiveness. Though much work has been done in recent years on satire, no definition has as yet been offered that has met with general approval. However, to some extent Roman verse satire seems to be the exception that proves the rule. For in view of the statements which the main representatives of this genre themselves have made on their satires, most modern critics are agreed on their major characteristics. (...) Yet some poems which the ancient satirists included in their collections have not been accepted as satires by contemporary scholars, while others seem to have eluded satisfactory interpretation, as e.g. Horace's fourth satire of the second book. (shrink)

‘It is not likely that anything absolutely new can be added to the interpretation of this familiar poem.’ So G. L. Hendrickson forty five years ago. It need scarcely be noted that in spite of these cautionary words much has been written on this ode in the intervening years. With hesitation I add here a few words on what seems to me an overlooked yet central aspect of this poem.

The paper aims at reconstructing the influence of Simonides on a contiguous series of Horatian poems . The starting point is provided by the discovery of new Simonidean fragments published by Peter Parsons and by Martin West in 1992. But the research casts a wider net, including the influence of Theocritus on Horace-and of Simonides on Theoocritus-and the simultaneous and competing presence of Pindar and Simonides in late Horatian lyric. The influence of Simonides is seen in specific textual pointers-e.g., (...) a simile on the death of Achilles in 4.6, the idea of caducity in 4.7-as well as in the composite role-model of Simonides, the immortalizing poet, the flexible praise-singer. Some wider questions are put in perspective: As for Horace's approach to the poetic tradition, the Roman poet is able to glance across whole genealogies of models, without necessarily making a choice, but making the invocation of several predecessors, already linked in a tradition, relevant to his new text. "Odes" 4.7, for instance, features a dialogue of Horace, Homer, Mimnermus and Simonides. The oscillation in modern criticism between an "Alexandrian" and a "classicizing" Horace could be better explained by constructing a complex model of intertextuality: "Pindar" plus "the Pindar in Callimachus"; "Simonides" plus "the Simonides in Theocritus." The dominating influence of Pindar in Book IV could be a part of a richer picture of influence, now difficult to reconstruct since all we have is the four Pindaric books of epinicia, not necessarily the only widely read choral lyric in antiquity. The reuse of early-classical praise poetry includes references to social constructs and cultural models of patronage, gift exchange, and poetic addressee: they are important in Augustan lyric precisely because they are felt as distant and impossible to recreate, and become a part of Horace's deft and often ironical negotiations with the problem of being a lyric poet in Augustan Rome. (shrink)